Stop the Press! More COOGAN News!

Coogan News

We are proud to introduce the newest member of the Crispy Comedy Cuts team Lorna Jones with this her first article for the site. She gives us the latest news from the world of CCC’s favorite TV funny man Steve Coogan. 

After lusting over ‘I Partridge’ here at CCC, we are delighted to hear that Steve Coogan will be playing the fitting role of porn baron Paul Raymond in The King of Soho, to be directed by Michael Winterbottom. Confirmed to play the female leads are Anna Friel, Tamsin Egerton and Imogen Poots.

Paul Raymond was the owner of Raymond Revue strip bar in Soho.  A venue that was also home to alternative comedy.  Raymond had a varied career that included reading minds on Clacton Pier and running the Windmill Theatre-famed for naked women starring as Tableau Vivants.  (That’s a montage to you and me kids). Film 4 will be producing with Revolution Films and Coogan’s company Baby Cow.  The screenplay will be adapted by Matt Greenhalgh from Paul Willett’s biography Members Only: The Life and Times of Paul Raymond.

The King of Soho will be Coogan’s third film with Winterbottom.  It remains to be seen if Friel will be leaning on her northern accent or if cast members will be getting naked a la ‘Gruey’ in 9 Songs.

In other Coogan news, work has started on a new series of Mid Morning Matters with Alan Partridge.  There will be 12 new 11 minute episodes funded by our friends over at Fosters.  These are indeed exciting times for North Norfolk Digital and for us fans of the comedy powerhouse that is Steve Coogan.

Fast Show Preview Episode 8

Fast Show day 4 Photographer Tyson Benton -8474

Episode 8 of The Fast Show will be exploding into our lives this Thursday over at www.fosters.co.uk. Which means Crispy Comedy Cuts has another exclusive preview just to wet your whistle. Enjoy!

 

The Invisible Dot: New Wave Tour preview

Tim Key & Jonny Sweet

Camden-based comedy company The Invisible Dot is set to take its up-and-coming acts on the road in their “New Wave” tour of 2012. The company, which has previously worked with such luminaries as Mark Watson, Simon Amstell and Tim Key are giving the spotlight to acts who, while they may not be household names just yet, have already made their mark on the comedy landscape.

The tour features a revolving door of acts, with each show featuring three of the eight rising stars. Headlining the March dates of the show is 2009’s winner of the Best Newcomer award at the Edinburgh Fringe, Jonny Sweet, whose relentlessly nice, foppish charm has won him applause from across the comedy community – even the ones who saw him play David Cameron (boo, hiss, etc.) in More4’s “When Boris Met Dave”. Meanwhile character comedian and audience participation enthusiast Adam Riches, winner of 2011’s Best Show award at Edinburgh, takes over for the April ones.

Filling the roster in the various shows are combinations of the other stars of tomorrow. Character comic and star of CBBC’s “Sorry I’ve Got No Head” Will Andrews lends his bonkers style to proceedings, while 2007’s if.comedy newcomer award winner – musical comic Tom Basden mellows it out. More character comedy in Nick Mohammed, who regularly turns out several of his comic creations in a single show, while charismatic sketch trio Sheeps mix up the ‘one comic, one microphone’ format for the shows in which they appear. Rounding off the line-up are the madcap stunts and absurdist prop comedy of Ben Target, and sisterly double-act Toby embark on a sketch show made up of dark, inappropriate humour and a heavy dose of sibling rivalry.

The tour will be a real mixed bag of different comedic styles, featuring future stars of stage and screen comedy. The first show is at the University of Manchester’s John Thaw Studio, on Thursday, March 1st, and will feature Jonny Sweet, Nick Mohammed and Sheeps.

For more information on tour dates and performers, see: http://www.theinvisibledot.com/tour/

I’m An Alien I’m An Alien

Fastshow day 5 High Res photogaphy by Tyson Benton-8934

After a few months in hibernation The Fast Show returns to our computer screens and iphones. Today at 1.00pm the second leg of the online mini series begins over at www.fosters.co.uk, expect to see some new characters plus loads of classic Fast Show comedy moments.

Here’s a little taster, scorchio!

Getting Political By Rob Glenister

Who I'm voting for in the London mayoral elections

Crispy Comedy Cuts Is Now Recruiting!

The Crispy Comedy Cuts team is expanding and we are on a search for some budding comedy journalists to join our ranks. We are looking for individuals with a passion for comedy and great writing skills to cover all the action in their local comedy scene. If you live in LONDON, BRIGHTON or EDINBURGH and would like free entry to events plus the chance to interview some of your comedy hero’s for the Crispy Comedy Cuts site, please contact our team at info@crispycomedycuts.com or via our contact page.

Martha & Julia Caesar #007

M+JC5

Here’s ‘Martha & Julia Caesar #007’, the latest edition of our comic strip from Lorna Scobie. For more of Lorna’s work check out her official website (below) or follow us on twitter for information about the next installment.

www.lornascobie.com

Seymour Mace – XS Malarkey – 17/01/2012

Seymour Mace Pic

Crispy Comedy Cuts writer Jonathon Dean reviews a very special night of comedy at Manchester’s critically acclaimed XS Malarkey club night. The event took place at XS Malarkey’s new home Platt Chapel and featured performances from Seymour Mace, Sarah Millican and Toby Hadoke.

“I’ve never killed a man!” seems a strange choice for a catch-phrase, but it’s one that compère Toby Hadoke somehow found himself adopting for the evening. His usual charmingly eccentric and blustering self peppering the warm-up and linking sections with self-commentary, and bringing the new sections of the audience on-side – those of us who are regulars at the club already know and love Toby, but those turning up primarily to see a celebrity guest for cheap take a little more convincing.

Taking up the open spots were James Meehan, whose friendly, cheeky style warmed the crowd up nicely, and Matt Hollins, whose amiable personality and humble, self-deprecating remarks kept the crowd happy to watch him, but unfortunately his routine was filled with well-worn subjects for comedy, making it difficult to stand out for an XS audience so used to attending comedy shows.

The high-profile act pulling in the crowd for the evening was Sarah Millican, testing out material for her new television show, and while the club does not announce guests of her profile (preferring to ensure the regulars are able to attend), a few tweets brought some new faces to Platt Chapel. As is usually the case when new material is being tested, it was a stop-start affair, with lots of rifling through notebooks – but her commentary rescued it from getting uninteresting. She went down a storm (and was it ever going to be any other way?), and although I was wary about her performing the same club two weeks in a row becoming stale, the different jokes she brought to the table allayed my fears.

Headlining the evening was strangeness enthusiast, backing-dancer impersonator, and all-round bonkernaut, Seymour Mace (Craig/Steve in BBC Three’s Ideal), who was, as per usual, the highlight of the evening. His surreal style and manic, borderline psychotic delivery started the audience off on the back foot. Confused reactions and nervous giggles eventually gave way to roaring laughter as the humour of his act gradually dawned on them.

Following a TV personality like Sarah Millican can be a daunting prospect for any comic – particularly when they have wildly diverging styles. I’ve seen great acts bomb before, because their humour was so starkly different from the rest of the comics on the bill, but Seymour Mace skilfully turned the initial hesitant reaction from those portions of the crowd unfamiliar with him into waves of laughter – earning himself the biggest applause of the evening.

There’s a reason XS Malarkey has won so many awards; it manages line-ups like this, crowds as friendly and welcoming as any comic could hope for, and door prices a fraction of the price of most other clubs. So three cheers to all the people who volunteer their time and effort to keeping it that way!

Interview With The Boy With Tape On His Face

The Boy With Tape on His Face

The Crispy Comedy Cuts team thought it was about time we had another chat with New Zealand comic The Boy With Tape on His Face. A lot has happened since he guested on the CCC radio feature in Manchester last year including his performance at the Royal Variety Show and new BBC Three pilot. 

You started your performing career at a circus school in New Zealand, what made you want to learn those types of tricks and skills and how did this lead into comedy?

I moved to a small town in New Zealand and was given a magic set as a going away present and it was that thing that started me going! From learning magic skills I heard about a circus school where I studied the stranded circus skills but also became interested in circus sideshow like hammering a nail up your nose and eating light bulbs.  I got a phone call from a friend asking if I could cover for one of his comics who cancelled last minute and he said for me to just come down and do some “crazy circus sideshow stuff” and that was the first stand-up comedy crowd I played for.

Where did the idea for having tape over your mouth while performing come from, and why did you elect to name the act “The Boy With Tape on His Face” rather than coming up with a name for the character?

I kept performing my circus sideshow routine for a number of years in New Zealand until I had won a selection of comedy awards and felt that I had reached the top of my game in this style. I also felt that people expected me to just learn more “tricks” and keep talking so I decided to do a silent character that didn’t perform tricks.

You have a web pilot coming up as part of BBC3’s “Comedy Kitchen” format. Will this be of a similar style to your live performances, or putting the Boy into a different situation?

It will feature some of the live style show I do as well as going a step further inside the brain of The Boy. I have never really had to translate the act for television, if anything it becomes a bit more about planning what the camera will be looking at to make sure the comedy comes across at it’s best.
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Some of your newer material uses a speech synthesiser and injects some more traditional comedy into the act. What has been the response so far?
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Ha! I have only ever done that once as it was a new material night. I don’t think that you could call that “more traditional comedy” as what I was doing was sending up the so called generic stand-up comedian. Currently the act can go in any direction as it has no boundaries. On a side note the reaction to that one night was good so I am thinking about extending on it.
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Have you got any backstage gossip from this years Royal Variety Show? How big a moment was that for your career and have you felt a rise in awareness of what you are doing since?
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It was a great moment in my career and was a very strange gig to be a part of. As for awareness we noticed a lot of people hitting my website, and twitter was a great place to watch the reaction to the routine, overall the response was good. Now for the gossip…..Barry Manilow is actually an anamatronic puppet controlled by Pixar.
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How long do you usually spend on devising and practising some of the tricks and routines in your live show?
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Some routines I have spent up to two years tweaking and developing and have still not put them onstage and other routines can be an idea that afternoon and find their way onstage that night and seem to work straight away.

 

Glenn Wool ‘No Lands Man’ Tour Review

Glenn Wool Tour

Crispy Comedy Cuts reporter Jonathon Dean gives us a review of Glenn Wool’s new show “No Lands Man” on it’s second date of the tour at Manchester’s award winning Frog & Bucket comedy club. 

Glenn Wool stands triumphant in a Guns’n’Roses t-shirt as the self-confessed “scruff” turns in a stunning performance at Manchester’s Frog and Bucket comedy club.

His seamless blend of hillbilly politics, surreal jaunts into the land of fantasy and “average-Joe”, common sense rants are what mark Wool’s style as unique and charming. The intelligence to his comedy, hidden behind a veneer of hard rockin’ and hard drinkin’, is of pointing out the hypocrisy in society; how things work differently when you’re long-haired and bearded than when you’re in a sharp suit.

For a Wednesday evening show, the audience was a real mixture of people, and nicely populated; not too busy, not too empty, and the atmosphere was very warm and friendly as a result. The Frog has had plenty of experience with shows like this, and the ability to close the balcony and effectively half the size of the club allows for great flexibility in audience sizes, whilst maintaining the atmosphere of a busy club.

Wool’s cheeky asides to the audience, and sly digs at himself, really were the icing on the cake here. The audience was friendly enough that he could rant without impediment, and then crack a joke about himself without inviting a barrage of heckles from drunken sales reps. As much as a few characters dotted about the audience can add to the atmosphere of a comedy club, the tendency towards attempting to one-up the comic’s performance can often spoil an act’s momentum. This was entirely absent here, which is what I enjoy about the more polished mid-week comedy rather than the brash, stag-do-orientated weekend shows, despite the smaller (“more intimate”, to use a useful reviewer’s euphemism) audience sizes.

This is the second date of the UK tour of his Edinburgh Festival hit “No Land’s Man”, and it’s a great show. Glenn Wool has a real talent for making people laugh, and manages to wield multiple types of humour at once, from the political to the down-to-earth, via surreal flights of fancy and the downright crude and borderline offensive. Fitting all that into a single anecdote is a mean feat for any comic; not bad for around a tenner.